Dolphine Emali calls herself a visual person. She perceives information best when she can see it. She is a visual storyteller. Her current work at Internews as a Training Coordinator and TV and photography trainer allows her to help journalists become compelling visual storytellers.
Dolphine’s passion for photography influences her video production work. To her, these are two very different mediums. Where video is like a river constantly flowing, taking you on a journey, photography is like a mountain. It is right there. You can’t miss it.
Some people just have to see it to believe it. To Dolphine these people must be served with compelling visual storytelling. In this age a journalist has many tools at their disposal to tell compelling stories. Multimedia storytelling should be explored widely by journalists.
Dolphine is a 2008 NUFFIC fellow where she attended an RNTC course on training the trainer. She holds a certificate from International Media Support (IMS) on conflict sensitive reporting, a certificate from Children Television Trust International (CTTI) on sound recording. She is a Jack Picone photography mentee and a Film and Video production diploma holder from Kenya Institute of Mass Communication. Dolphine’s photography has featured at Alliance Francais for different exhibitions, ‘Light & Shade’ July 2008, ‘Dukas’ May 2009 and ‘Sustain-ability’ June 2010. She also contributed to the first Nairobi edition of New York’s ‘Slideluck Potshow’.
She Won POYi award 2009 - 3rd place News Story, Multimedia in collaborated work and was nominee, Amnesty International, UK - New Media category.
Dolphine participated in the August 2013 MediaStorm Methodology Workshop. She had the following to say about her experience:
I dreamt of sitting in that class for a long time and when the moment arrived it was better than I imagined it to be. A week at MediaStorm’s Methodology Workshop is like a pilgrimage to ‘great storytelling world’. You hang out with people who believe in the value of a great story. Also important is that Brian and his team share their hard earned skills. The team took us through their experiences with different issues, how and why they made decisions that they did. Decisions during pre-production, production and post production of stories. They held nothing back. The discussions around ethical issues that we all face when working on different stories were also very enlightening.
I learned that the secret to MediaStorm’s success isn’t only in telling gripping stories but also, stories that have impact. It’s their quest, it’s ours too and we spent the week analyzing this. They have a neat process that guarantees you a polished product. I left MediaStorm with many tools from the process to share with my trainees and my colleagues.
I am a strong believer of compelling storytelling but I left the workshop grounded in my belief. Thank you team MediaStorm, it was worth the while and miles.
Once teetering on the brink of extinction, the Santa Catalina Island Fox made a dramatic recovery. Its resurgence marks one of the greatest conservation success stories in United States history.
In the shadow of Silicon Valley’s booming technology industry, a growing number of people remain out in the cold. Skyrocketing housing prices in America’s hub of innovation have pushed many onto the streets, straining policymakers to find solutions to a homelessness problem that impacts everyone in the community.
This page recognizing Zora J Murff for ICP’s 2023 Infinity Award for Documentary Practice and Visual Journalism features a film about his life, a slideshow of his projects and extra clips of his thoughts about his work and motivation.
Sebastião Salgado says "a good picture, a fantastic picture, you do in a fraction of a second, but to arrive to do this picture, you must put your life in there."
Esther Horvath has sent questions to the universe and she has received answers. She found her calling to tell visual stories that show the full research story behind our climate data.
See photographer Acacia Johnson’s growth from her earliest explorations of Alaskan landscapes to a National Geographic cover for a documentary project among indigenous people of the Arctic.
Sir Don McCullin never intended to become a photographer. He found it hard to believe he’d ever escape the poverty of North London. But a spur of the moment photograph launched McCullin into a career spanning 50 years in photography.
As the U.S. prepares for the final drawdown of soldiers from the conflicts in Iraq and Afghanistan, Soledad O’Brien and MediaStorm take an intimate look at two veterans as they struggle with the transition from war to home.
Writer Zadie Smith pays homage to photographer Deana Lawson in the artist’s first Monograph for Aperture.
As a formerly incarcerated person, Michael struggled for work, and found purpose in being a husband, father, and activist. But 7 years since his release from prison, the cost of Michael’s activism is evident.
Benny is a “certified” garbologist. He collects what others throw away. Benny is also at war with his family. Here is a man sharing a house with his wife but living as a stranger. This is a household on the edge.
Photographer Amber Bracken recognized something deeper than a protest was afoot when hundreds of tribes gathered at the Standing Rock reservation in opposition to the Dakota Access Pipeline.
How does the death of a child change a parent? How does the death of a parent change a child? How do these moments change us as we develop and grow further away from who we were as children?
Maurice Berger–cultural historian, and columnist for the New York Times’ Race Stories–has spent his career studying and teaching racial literacy through visual literacy.
Japan’s Disposable Workers examines the country’s employment crisis: from suicide caused by overworking, to temporary workers forced by economics to live in internet cafes, and the elderly who wander a town in search of shelter and food.
Karl Ove Knausgaard is the celebrated author of a massive six-volume autobiography. But Knausgaard remains confused by the attention. This is a portrait of a man who has achieved massive success yet still considers himself unworthy.
Michael Thomasson has devoted his life to video games. It’s been his passion and his obsession for more than three decades. He owns over 11,000 unique game titles for more than 100 different systems.
A film about Michael Christopher Brown for the 2017 ICP Infinity Awards.
The Long Night, a feature film by Tim Matsui and MediaStorm, gives voice and meaning to the crisis of minors who are forced and coerced into the American sex trade.
Jonathan Harris and Greg Hochmuth have a complicated relationship with the internet and have worked together to develop an artwork that explored some of the more difficult consequences of what it means to live with the internet.
In 1977, Robyn Davidson walked 1,700 miles across the Australian outback. National Geographic sent Rick Smolan to photograph her perilous journey—a trek that tested and transformed them, forming an immutable bond that continues to this day.
Once at the center of the U.S. economy, the family farm now drifts at its edges. In Iowa, old-time farmers try to hang on to their way of life, while their young push out to find their futures elsewhere. Driftless tells their stories.
The American family farm gives way to a subdivision - a critical cultural shift across the U.S. Common Ground is a 27-year document of this transition, through the Cagwins and the Grabenhofers, two families who love the same plot of land.
For Walter Backerman, seltzer is more than a drink. It’s the embodiment of his family. As a third generation seltzer man, he follows the same route as his grandfather. But after 90 years of business, Walter may be the last seltzer man.
Larry Fink has spent over 40 years photographing jazz musicians, wealthy manhattanites, his neighbors, fashion models, and the celebrity elite. His archive is a thoughtful collection of American history, and Fink’s experience of it.
LaToya Ruby Frazier’s body of work “The Notion of Family” examines the impact of the steel industry and the health care system on the community and her family. Collaborating with her mother and grandmother, she uses her family as a lens to view the past, present and future of the town.
Tomas Van Houtryve wants there to be a permanent visual record of the dawn of the drone age, the period in American history when America started outsourcing their military to flying robots. In order to create this record, Van Houtryve sent his own drone into American skies.
Evgenia Arbugaeva was born in the magical town of Tiksi, Russia. This barren, arctic landscape influenced Arbugaeva in almost every aspect of her dreamlike photography.
Surviving the Peace: Laos takes an intimate look at the impact of unexploded bombs left over from the Vietnam war in Laos and profiles the dangerous, yet life saving work, that MAG has undertaken in the country.
A family is determined to give their disabled son a whole and vital life. In the midst of a great burden, one small child – with a seemingly endless supply of love – is the blessing that holds a family together.
Inspired by the photographs of the Farm Security Administration growing up, Lynn Johnson has spent nearly 35 years as a photojournalist working for LIFE, National Geographic, Sports Illustrated and various foundations.
Resetting the Table takes a unique, personal look at the impact Starbucks’ Create Jobs for USA program has had on the American Mug & Stein pottery facility in East Liverpool, Ohio.
Hungry Horse captures the spirit of renewal, peace and serenity through stunning landscapes and intimate oral histories.
Using humor and a love of fantasy, "The Amazing Amy" Harlib connects with audiences through performing strenuous yoga-based contortion acts in New York City.
In many countries, girls as young as eight are forced into marriage by their families, culture and economic situation. This practice destroys their chance at education leading to tragic results.
Surreal and mysterious, North Korea was a black hole to outsiders wanting a glimpse of the country. That all changed in 2012, when AP photographer David Guttenfelder led the opening of the bureau's newest office inside the North Korea.
Virginia Gandee's brilliant red hair and dozen tattoos belie the reality of this 22-year-old's life. Inside her family's Staten Island trailer her caregiving goes far beyond the love she has for her daughter.
Based on 14 trips to Afghanistan between 1994 and 2010, A Darkness Visible: Afghanistan is the work of photojournalist Seamus Murphy. His work chronicles a people caught time and again in political turmoil, struggling to find their way.
In Rwanda, in 1994, Hutu militia committed a bloody genocide, murdering one million Tutsis. Many of the Tutsi women were spared, only to be held captive and repeatedly raped. Many became pregnant. Intended Consequences tells their stories.
To those who serve in the armed forces, what is the aftereffect of war? The Marlboro Marine is photographer Luis Sinco's portrait of Marine Corporal James Blake Miller, whom he met in Iraq. For Miller, coming home has been its own battle.
Zakouma National Park is one of the last places on earth where elephants still roam by the thousands. In a land where poachers will slaughter the huge animals for their tusks alone, it takes armed guards to keep them safe.
Kingsley's Crossing is the story of one man's dream to leave the poverty of life in Africa for the promised land of Europe. We walk in his shoes, as photojournalist Olivier Jobard accompanies Kingsley on his uncertain and perilous journey.
The MediaStorm Platform is an advanced video platform that extends the user experience beyond linear video to include the interactive capabilities of the Internet.
The MediaStorm Platform is an advanced video platform that extends the user experience beyond linear video to include the interactive capabilities of the Internet.
Copyright 2025 MediaStorm, LLC | Terms & Conditions | Privacy | Contact