Andrew Rozario (Biraj) is the Visuals Editor at HIAS based in Washington, D.C. He has been a photojournalist more than 20 years. Biraj has worked for the international news agencies Reuters, Sipa Press USA and Getty Images. He holds an advanced diploma in photography from Pathshala, the South Asian Institute Media Academy in Bangladesh, and a B.A. (Hons) in Photography & Video from The University of Bolton, UK.
Andrew Biraj has won numerous national and international awards including Best Portfolio (in 2013) and a second prize (in 2013) in The Atlanta Photojournalism Seminar Contest in the USA, an Honorable Mention (in 2013) in the National Geographic Photo Contest, a third prize (in 2011) World Press Photo award in The Netherlands, a second prize (in 2013) in Pictures of the Year (POYi) by The Missouri School of Journalism, a third prize (in 2010) and a first prize (in 2008) in the National Press Photographers Association of America's Best of Photojournalism awards; a Gold award
(in 2013) a silver award (in 2011) and a bronze (in 2007) in the China International Press Photo Contest; the 2010 Award of Excellence in Feature Photography, from the Society of Publishers in Asia, and the 2010 South Asian Journalists Association award for an outstanding photograph about South Asia.
Andrew was a participant in the 2008 World Press Photo Joop Swart Masterclass.
Andrew has been published in National Geographic Magazine, Time Magazine, The New York Times, International Herald Tribune, Wall Street Journal, Washington Post, Los Angeles Time, The Guardian, The Observer Magazine, The Times, Paris Photo, Le Monde, Sydney Morning Herald, Newsweek, Stern, Asian Geo, Hindustan Times and in many other international publications.
His work has been featured in exhibitions and screenings worldwide, including Visa Pour l'Image, in Perpignan, France, the Angkor Photo Festival in Cambodia, Yangon Photo Festival in Myanmar, the International Photography Biennial of the Islamic World in Iran, Noorderlicht Photo Festival in The Netherlands, the Kiyosato Museum of Photographic Arts in Japan, the Church of Santa Maria Della Pietà in Venice, Italy, the National Art Gallery in Malaysia, Drik Gallery and in The University of Dhaka, Bangladesh.
Andrew exhibited one of his major long-term projects “Bonded Stitches & Struggle; Testimony Of Life In Bangladesh’s Garment Industry,” on the one year anniversary of the collapse of Rana Plaza, which has been attended by more than 10,000 visitors in Bangladesh. The exhibition took place from April 22- May 1, 2014, simultaneously in three different venues including an open-air show near the collapsed building site in Savar, Bangladesh.
Andrew Biraj was a jury member in the 2020 South Asian Journalist Association (SAJA) Award. Biraj has been invited to nominate candidates from more than 65 countries of Asia and Africa for the 2017 Price Claus Awards in The Netherlands. He was also a nominator of 2017 UNICEF Photographer of the Year competition and a professional portfolio reviewer for the graduate student in Corcoran School of Art & Design in The George Washington University in Washington DC. He has also been in the jury panel in numerous photography competitions and exhibitions in Bangladesh arranged by Dhaka University Photography Society, BUET Photography Society, Bangladesh in Frames by TTL, Rabi Telecom and many others.
Biraj is a co-founder and a lifetime member of Counter Foto Photography Department in Bangladesh, which was established in 2012. Biraj is a co-editor and co-author of the book Under the Banyon Tree published by Pathshala. He self-published his first book INSIGHT in 2011. Counter Foto published his second book Bonded Stitches & Struggle; Testimony of Life In Bangladesh’s Garment Industry (Bengali Version) in April, 2014.
Andrew participated in the December 2023 MediaStorm Storytelling Workshop. He had the following to say about his experience:
MediaStorm workshop provided an enriching experience collaborating with diverse talents in a dynamic environment. From brainstorming to storytelling, it allowed me to unlearn cliches and explore new visual narratives. A journey of perseverance, attention to detail, and close-to-heart exploration. Grateful for the learning!
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In the shadow of Silicon Valley’s booming technology industry, a growing number of people remain out in the cold. Skyrocketing housing prices in America’s hub of innovation have pushed many onto the streets, straining policymakers to find solutions to a homelessness problem that impacts everyone in the community.
This page recognizing Zora J Murff for ICP’s 2023 Infinity Award for Documentary Practice and Visual Journalism features a film about his life, a slideshow of his projects and extra clips of his thoughts about his work and motivation.
Sebastião Salgado says "a good picture, a fantastic picture, you do in a fraction of a second, but to arrive to do this picture, you must put your life in there."
Esther Horvath has sent questions to the universe and she has received answers. She found her calling to tell visual stories that show the full research story behind our climate data.
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Sir Don McCullin never intended to become a photographer. He found it hard to believe he’d ever escape the poverty of North London. But a spur of the moment photograph launched McCullin into a career spanning 50 years in photography.
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Writer Zadie Smith pays homage to photographer Deana Lawson in the artist’s first Monograph for Aperture.
As a formerly incarcerated person, Michael struggled for work, and found purpose in being a husband, father, and activist. But 7 years since his release from prison, the cost of Michael’s activism is evident.
Benny is a “certified” garbologist. He collects what others throw away. Benny is also at war with his family. Here is a man sharing a house with his wife but living as a stranger. This is a household on the edge.
Photographer Amber Bracken recognized something deeper than a protest was afoot when hundreds of tribes gathered at the Standing Rock reservation in opposition to the Dakota Access Pipeline.
How does the death of a child change a parent? How does the death of a parent change a child? How do these moments change us as we develop and grow further away from who we were as children?
Maurice Berger–cultural historian, and columnist for the New York Times’ Race Stories–has spent his career studying and teaching racial literacy through visual literacy.
Japan’s Disposable Workers examines the country’s employment crisis: from suicide caused by overworking, to temporary workers forced by economics to live in internet cafes, and the elderly who wander a town in search of shelter and food.
Karl Ove Knausgaard is the celebrated author of a massive six-volume autobiography. But Knausgaard remains confused by the attention. This is a portrait of a man who has achieved massive success yet still considers himself unworthy.
Michael Thomasson has devoted his life to video games. It’s been his passion and his obsession for more than three decades. He owns over 11,000 unique game titles for more than 100 different systems.
A film about Michael Christopher Brown for the 2017 ICP Infinity Awards.
The Long Night, a feature film by Tim Matsui and MediaStorm, gives voice and meaning to the crisis of minors who are forced and coerced into the American sex trade.
Jonathan Harris and Greg Hochmuth have a complicated relationship with the internet and have worked together to develop an artwork that explored some of the more difficult consequences of what it means to live with the internet.
In 1977, Robyn Davidson walked 1,700 miles across the Australian outback. National Geographic sent Rick Smolan to photograph her perilous journey—a trek that tested and transformed them, forming an immutable bond that continues to this day.
Once at the center of the U.S. economy, the family farm now drifts at its edges. In Iowa, old-time farmers try to hang on to their way of life, while their young push out to find their futures elsewhere. Driftless tells their stories.
The American family farm gives way to a subdivision - a critical cultural shift across the U.S. Common Ground is a 27-year document of this transition, through the Cagwins and the Grabenhofers, two families who love the same plot of land.
For Walter Backerman, seltzer is more than a drink. It’s the embodiment of his family. As a third generation seltzer man, he follows the same route as his grandfather. But after 90 years of business, Walter may be the last seltzer man.
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Tomas Van Houtryve wants there to be a permanent visual record of the dawn of the drone age, the period in American history when America started outsourcing their military to flying robots. In order to create this record, Van Houtryve sent his own drone into American skies.
Evgenia Arbugaeva was born in the magical town of Tiksi, Russia. This barren, arctic landscape influenced Arbugaeva in almost every aspect of her dreamlike photography.
Surviving the Peace: Laos takes an intimate look at the impact of unexploded bombs left over from the Vietnam war in Laos and profiles the dangerous, yet life saving work, that MAG has undertaken in the country.
A family is determined to give their disabled son a whole and vital life. In the midst of a great burden, one small child – with a seemingly endless supply of love – is the blessing that holds a family together.
Inspired by the photographs of the Farm Security Administration growing up, Lynn Johnson has spent nearly 35 years as a photojournalist working for LIFE, National Geographic, Sports Illustrated and various foundations.
Resetting the Table takes a unique, personal look at the impact Starbucks’ Create Jobs for USA program has had on the American Mug & Stein pottery facility in East Liverpool, Ohio.
Hungry Horse captures the spirit of renewal, peace and serenity through stunning landscapes and intimate oral histories.
Using humor and a love of fantasy, "The Amazing Amy" Harlib connects with audiences through performing strenuous yoga-based contortion acts in New York City.
In many countries, girls as young as eight are forced into marriage by their families, culture and economic situation. This practice destroys their chance at education leading to tragic results.
Surreal and mysterious, North Korea was a black hole to outsiders wanting a glimpse of the country. That all changed in 2012, when AP photographer David Guttenfelder led the opening of the bureau's newest office inside the North Korea.
Virginia Gandee's brilliant red hair and dozen tattoos belie the reality of this 22-year-old's life. Inside her family's Staten Island trailer her caregiving goes far beyond the love she has for her daughter.
Based on 14 trips to Afghanistan between 1994 and 2010, A Darkness Visible: Afghanistan is the work of photojournalist Seamus Murphy. His work chronicles a people caught time and again in political turmoil, struggling to find their way.
In Rwanda, in 1994, Hutu militia committed a bloody genocide, murdering one million Tutsis. Many of the Tutsi women were spared, only to be held captive and repeatedly raped. Many became pregnant. Intended Consequences tells their stories.
To those who serve in the armed forces, what is the aftereffect of war? The Marlboro Marine is photographer Luis Sinco's portrait of Marine Corporal James Blake Miller, whom he met in Iraq. For Miller, coming home has been its own battle.
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Kingsley's Crossing is the story of one man's dream to leave the poverty of life in Africa for the promised land of Europe. We walk in his shoes, as photojournalist Olivier Jobard accompanies Kingsley on his uncertain and perilous journey.
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